Request Inspection Copy

If you are an Academic or Teacher and wish to consider this book as a prescribed textbook for your course, you may be eligible for a complimentary inspection copy. Please complete this form, including information about your position, campus and course, before adding to cart.

* Required Fields

To complete your Inspection Copy Request you will need to click the Checkout button in the right margin and complete the checkout formalities. You can include Inspection Copies and purchased items in the same shopping cart, see our Inspection Copy terms for further information.

Any Questions? Please email our text Support Team on text@footprint.com.au

Submit

Email this to a friend

* ALL required Fields

Order Inspection Copy

An inspection copy has been added to your shopping cart

Ghosting of Anne Armstrong

by Michael Cawood Green Goldsmiths Press
Pub Date:
02/2019
ISBN:
9781906897956
Format:
Hbk 360 pages
Price:
AU$59.99 NZ$60.86
Product Status: In Stock Now
add to your cart
A novel that tells a four-hundred-year-old tale of witchcraft and intrigue, reimagining the life of a servant girl who accuses her neighbors of being witches.


 


Michael Cawood Green's novel The Ghosting of Anne Armstrong calls up the lost voice of a fourteen-year-old girl who, between January and May 1673, made some of the most dramatic accusations in the history of English witchcraft and then disappeared, leaving behind the mystery of what drove her to insist, in the face of rejection after rejection, on telling so strange a story—ultimately at the cost of her own life.


 


Fantastic yet compelling, Anne Armstrong's accusations against her neighbors in an isolated part of the Tyne Valley were recorded in the court depositions that form the basis for this literary thriller from Goldsmiths Press. Following a fictional historian who becomes obsessed with tracking Anne through each twist and turn of the legal proceedings, the reader is drawn ineluctably into the shadowy world where Anne's dark tale plays out to its devastating end. The narrative is shot through with questions: Why does Anne risk being suspected of witchcraft herself as she accuses an ever-increasing number of others? Is she seeking revenge, or does she want to earn money as a witch finder? How does a young, illiterate woman have such detailed knowledge of esoteric forms of witchcraft? How does she learn to understand and manipulate the legal process? Is she a victim of her own hallucinations? Or is she telling the truth—the truth as she sees it, as perhaps only she can see it? And, finally, how does she meet her lonely death in the building which—if reports about appearances of her ghost are to be believed—she has never left?

his writing propels this story into deliciously frightening, and exciting, territory.

'Publishers Weekly
Michael Green is a writer and Professor in English and Creative Writing, Department of Humanities, Northumbria University. He wrote his first work of historical fiction, Sinking: A Verse Novella (Penguin SA, 1997). Sinking was short-listed for several awards before winning the University of Natal Book Prize. In 2008 he published what was intended as his quick follow-up novel to Sinking, For the Sake of Silence (Umuzi/Random House, 2008; Quartet Books, 2010). For the Sake of Silence has been well received, including a page-long review in The Times Literary Supplement which called the novel 'An extraordinary story of religious passion, missionary zeal and political machination.' Nobel Laureate J. M. Coetzee writes: 'Of the Trappist enterprise in nineteenth-century South Africa, with all its passionate personal rivalries and Byzantine internal politics, Michael Cawood Green has made a work of history cum fiction that will grip and sometimes amaze the reader'.